Wednesday, August 3, 2016

A creative hobby that turned into a wonderful children's book - an interview with Steven Mayhew

Recently, Steven Mayhew announced the completion and impending launch of his fabulous new ABC Balloon Book. I have known about this incredible project for some time, and each time Steven showed me one of his amazing designs I was simply in awe of his incredible talent. I am very excited that Steven has turned his dream into a reality and look forward to seeing many more exciting projects from the Balloon Workshop! 




What inspired you to create the ABC Balloon Book?
‟I was seeking a creative outlet of some type that I hoped would become a hobby. One day while searching for a project, I came across a greeting card for children that had a picture of an illustrated owl on it. Immediately everything clicked and I thought, I could create him out of balloons and make a picture book for kids. That then developed into creating an alphabet book as I felt the concept would be easier for a reader to understand exactly what they were looking at. So not only did I find my project, I felt like the work I was doing was for something greater than myself - using balloons to get children excited about reading.” 
When did you start working on the book and how long did it take from conception to completion?
‟I started working on the book in March of 2012. I really kicked it into gear two years ago and worked on the project almost every night and every weekend. I created an album in my phone and when the next image was finished, I'd add the image to it so I could visually see what each one looked like next to each other. This little task inspired and motivated me to keeping going as I literally saw the book coming to life before my eyes.”
Where did you start? Did you have a logical process?
‟I started with the frog. I immediately had an idea of this tropical, colorful frog sitting on a branch and thought, 'Well, if I'm inspired to start a few letters in, why argue with inspiration.' From that point I would just jump around from letter to letter as an idea would hit. Friends and family would ask, 'so which letter are you at now?' and I had to explain, I wasn't going in order. I didn't want to force anything. Some animals I wasn't looking forward to, only because I had no idea what I was going to do. However, at some point an idea for an animal would jump out at me, and I was immediately excited to get to work. Looking back, I'm glad I went with my inspirational instinct and didn't force myself to work on an animal when I wasn't ready, otherwise it would have been drudgery.” 
How did you choose which animals to show in the book?
‟I have a sister who had a toddler at the time I began the project. I spent many hours talking through each letter with her to decide on which animal I'd create for each letter. She'd have all of my niece's ABC books out and the many I had purchased on my end were out as I figured out each letter. I had to continuously compromise on things like, I can't create an iguana because I already have a lizard like creature, the newt, so I have to pick another 'I' animal, but one not too difficult for kids. I had already three or four animals created by the time I finalized the entire list. I already knew certain ones I wanted to develop and I was excited to get to work!”

Which would you say was the most complicated, challenging, or technical design that you created for the book? 

‟Each animal had its own complicated design element at some point. However, I would say the most difficult was the jellyfish. I created the structure three times before I finally got what I wanted. The first one had no personality in it by the way it was positioned to portray movement. The second was far too large at almost 5 ft., and again, it didn't give me the look I was going for. It wasn't until I decided to create an armature that would hold the wiring for the tentacles and devised a way to double stuff the head with a Qualatex® SuperAgate®
balloon and a 3 ft. clear balloon. I finally settled on a technique I learned from Sue Bowler where you press a flat board against a fully inflated balloon. As you push down, the air is pushed out of the balloon and it wraps around the back edges of the board. I went through about ten 3 ft. balloons of each color trying to get two balloons on to the same board; not to mention trying to inject just the right amount of air into each of the balloons before they would snap off the board. That design took me three months to finally complete.” 

The book really does not fully show the scale of all of the designs that you made. Which was the biggest animal and biggest scene that you made? 

‟I think in any art project, the final design never shows the full scale of what it took to get there or how big something might have really been. This project was no exception. You are correct though, you don't see how big some of these designs were or what happened leading up to the final image. I'd say the largest design is tied between the giraffe and the elephant. The giraffe’s body and neck (not including the head) stood about 6 ft. tall with an intricate aluminum rod frame I had built.



The elephant's head on the other hand was massive, but horizontally. The head was about 2.5 ft. wide but each of the ears stretched about 3-4 ft. in either direction, which were cut from 5 ft. chloroprene balloons.”

Did you make all the designs in their entirety or just partially for the shoot?
‟Yes and no. My goal was to create as much as I could for one shot, but that's not realistic as colors and shapes of balloons are not available in every size and color under the sun. For example, I wanted to create a fat, blubbery look for the walrus' body but next to filling 3 ft. balloons with water and battling them to stand on top of each, I opted to fill 11" balloons with clay, suck out the air, and mold them into place. The walrus' head, however, was much larger, and due to the fact that 160Qs are the smallest entertainer balloon available, I had to create the whiskers on a 3 ft. balloon. However, some animals like the monkey and the owl, to name a few, were taken in one shot.”

Which was your favourite animal to make and why? 
‟It's hard to pick a favorite. There were animals I was excited to get to, and then there animals that I was a little less excited to create, but then the final design turned out amazing. My favorites are the ones I feel show the most personality or expression such as the alligator, the giraffe, and the vulture. But if I had to choose one, it'd probably be the alligator. He wasn't the original design for 'A.' I had already built and photographed a whole scene with an aardvark and its baby eating ants from a balloon ant hill. It was one of my first designs I built and coming back to it at the end, my work had evolved so much that how I made it didn't fit with the others. That's when the idea of an alligator in the bayou with lightening bugs and weeping willows at sunset popped in my head...and I immediately got to work.” 

You have used a lot of distortion to create fantastic shapes for your animals. Do you use anything to help you when you distort your balloons?
‟Distortion was a very important technique used to create parts of the animals as I didn't want them to all just look like the balloon animals we all know and love. I kept my tools simple when it came to distorting the balloons - a balloon straw, a basic pump, an Air-Pro inflator, the Nikoloon System by Niko Fric, and whole lot of patience.”
To find out more about distortion techniques check out my earlier posts:
Distortion Techniques Part 1
Distortion Techniques Part 2
Distortion Techniques Part 3

Can you tell me more about your education program? 

‟At the beginning of this year I connected with a gentleman who has a lot of experience working with authors and school presentations. He was extremely impressed with my artwork and the fact it was all geared towards early literacy, so we began collaborating on a presentation about the book. I felt it wasn't only important to cover the fascinating history of balloons but also cover balloon safety as it pertains to children, and give them the opportunity to make a balloon design themselves. Most importantly, though, is the literacy side, which is why I also developed activity guides based of the book that kids will have a chance to work on to better their abilities to recognize letters, differentiate lower and uppercase letters, writing words, and more. It's designed to be interactive, educational, and keep kids' attention.”
Are you planning to teach any of these designs in the future?
‟At this time I do not. My focus right now is getting this book into children's hands and then getting to my next balloon education projects.”
Do you have any future plans or projects?
‟I do! In the process of learning the world of children's book publishing, I have taken classes and courses on a variety of topics that has allowed me to develop my own stories. I have big plans for The Balloon Workshop and I'm looking forward to creating some of these ideas that have been in my head for the past couple of years, all geared towards early childhood development. So stay tuned, because you haven't seen nothing yet!” 
In what format will the book be available?
‟At launch, the book will be available in a hard cover format. It's 8.5" x 11" and includes 26 balloon landscapes along with original design sketches and a photo collage of the making of the book. I wanted to make the book a high quality product that anyone would be happy to give or receive as a gift, which is why it also includes a beautiful, custom-designed dust jacket. If you stay connected to us through social media (links below) we'll announce new formats of the book as they are available.”


When will the book be available to purchase?
‟Pre-orders for the book will open in the coming weeks, so make sure to sign-up at www.TheBalloonWorkshop.com to be notified of when they will be available to order. Books will begin shipping at the beginning of December 2016, perfect timing for Christmas!”

Steven Mayhew, CBA

Born in Salt Lake City, Utah, and raised in Mesa, Arizona, Steven was introduced to balloons through his first job as a children’s entertainer for parties. Moving to Los Angeles in the early 2000’s, he opened and ran his own balloon decorating company before transitioning to the corporate world of the balloon industry. Later Steven earned his CBA®(Certified Balloon Artist™) and began teaching the art of balloon decor at seminars and conventions around the world.
Combining his many years of experience in balloons and graphic design, Steven developed this new medium where the art of storytelling and balloons come together.
He now dedicates his time to bringing new products and educational materials to life through the fun and colorful world of balloons.

I am really excited for Steven, I think that anyone who can turn their dreams into a reality should be very proud of their accomplishment! And to think it all started with a Qualatex balloon! 

Happy Ballooning!

Sue


To sign-up to be notified of when you can order the ABC Balloon Book and for more information about Steven Mayhew’s Balloon Workshop visit: www.TheBalloonWorkshop.com

Follow Steven Mayhew’s Balloon Workshop on social media:

Facebook: https://www.facebook.com/The-Balloon-Workshop-975952179125383/
Twitter @ balloonwkshop
Instagram @ balloonwkshop
YouTube: The Balloon Workshop






Thursday, July 28, 2016

Creating the perfect photo opportunity with balloons!

Mardi Gras Costume Party - World Balloon Convention
2016 New Orleans.

Balloons and photo opportunities go hand-in-hand. Whether it’s an entrance arch at a wedding or a balloon wall at a corporate event, you can bet that most guests will have their photograph taken using the balloon decor as a backdrop!





Over the past few years, balloon-inspired photo frames have become increasingly popular and can be seen regularly in a balloon professional's portfolio. Clients love them as do their guests who eagerly line up to have their photograph taken, making a lasting memory of the event. 


At the World Balloon Convention earlier this year, I helped to build a circus theme photo frame in the Welcome Centre.  The design was by Cam Woody, CBA of Pioneer Balloon Company in Wichita, KS, USA. It was really fun to make, and the end result was fantastic! The fabulous clown and ballerina sculptures that sat either side of the frame were made by David and Shana Brenion of Nifty Balloons in Los Angeles, CA, USA.




Friday, July 22, 2016

Congratulations to the Very Best Balloon Blog!



Wow, what can I say! I’m excited to announce that as of today, we have crossed the traffic milestone of one million pageviews!




A special thank you to all of you!

The blog is very much a team effort, from our amazing contributors who very generously share their passion, experience, knowledge, and inspiration, and also to our many readers who regularly inspire a new post topic even if they are not aware of it!


Let's keep working together to make the balloon industry the very best it can be.

It's time to celebrate, and I look forward to announcing our next Very Best Balloon Blog million milestone!






Happy Ballooning from a very happy blogger!


Sue
www.suebowler.com






Wednesday, July 20, 2016

Finding the Perfect Air-Filled Balloon Decor Solution

Fulfilling a customer's needs is what we all strive for, and finding the perfect decor solution is very rewarding.

Several months ago, I started discussing decor ideas with an event organiser. The event was one that I had decorated two years ago, so I had a little background knowledge of the venue and some of the difficulties decorating this particular event.

This event had used balloons for its decor for many years, but due to a number of circumstances we needed to find a good alternative to a helium-filled table arrangement or a domineering air-filled design. Our mission was to create the perfect air-filled table centrepiece.

The customer's requirements were very specific:
  • The design needs to have a good visual impact without interfering with sight-lines to screens around the room.
  • It should have a little actual movement, like helium without using helium.
  • Each centrepiece needs to display the names of the event sponsors.
  • Should be heavy enough to withstand strong winds as the venue is an open-sided marquee.



A few years ago we were hit by a short-term world helium shortage. As a result of this shortage, we had to find good alternative solutions to creating different types of decor with air-filled balloons. 

To help with ideas, inspiration, and solutions, Qualatex® produced a wonderful flier called, ‟The Qualatex Air-fill Advantage.” The flier is still available to download. Click HERE for your copy!








One of the design concepts that inspired me greatly was by Sandy Pressley, CBA, of Creative Balloons in Warren, MI, USA. Sandy showed some wonderful no-helium balloon bouquets using ceiling tile wire to support the balloons.

When I knew that I had to find an alternative way to make my centrepiece designs for this event, this for me was the perfect solution.

I believe that ceiling tile wire is readily available in hardware stores in the U.S. However, to find straightened wire in the U.K, I had to go to a specialist ceiling tile company, that sold pre-straightened wire in 3m lengths. This wire is also known as 12-gauge hanger wire.


Having found a solution to support my air-filled balloons, I needed to decide which balloon would be the best for the job. This was not too difficult  to determine as my customer's requirements were quite specific. We needed to be able to display each of the sponsor logos within the design, but we could not make the centrepieces too big as we needed to ensure good visual lines to television screens around the venue. 

I decided that working with 9" Qualatex Microfoil® would be perfect! I would be able to use five stars per table, and on each of the stars I would have the sponsor's logo printed.

The Design - Starburst Centrepiece




The colours that we used made these designs boldly stand out in an extremely large, white marquee, injecting an element of fun and festivity to the occasion.

The Method of Construction

Considering the number of centrepieces that we had to make - 95 in total - it was not a quick and simple design. As I mentioned at the start of this post, there was a number of factors that we had to take into consideration when making these centrepieces.

For the base of the design, we used a 33cm x 33cm (13" x 13") white floor tile. The weight and size of these tiles made it impossible for the centrepieces to be flipped over in windy conditions.


As I have already mentioned, each of the Microfoil Star balloons were secured to ceiling tile wires, but again, that was not quite as simple as it appeared!
















For each centrepiece, we cut five different lengths of wires. Each wire was bent over at one end and then a short length of balloon stick was slipped over the bent wire. Each wire was then covered with a Caribbean Blue 260Q and secured at the end using binding wire, much in the same way as a fantasy flower. Once each wire was covered, an Original Cello Cup™was secured to each of the wires. This fitted neatly onto the balloon stick that was hidden under the covered wire.



As you can imagine, this took quite a long time as we had 475 wires in total to prepare, but we were able to work on these well in advance.















To hold the five wired stars in position, we needed a short pedestal.  I chose to use a 14" Lomey Clear Pedestal for this job. I secured each of the Lomey Pedestals to the floor tile base using Gorilla Glue™.  Finding the right glue for the job was very important, and reading the glue's description gave me confidence that it was the right product. I allowed the glue 24-hours to set and fully dry, and it worked perfectly!




TOUGH, WATERPROOF, STICKS TO EVERYTHING
The product that started it all. Original Gorilla Glue built a name for itself with its incredible, industrial holding power and versatility. Water activated, it expands into materials to form an incredibly strong bond to virtually anything. As your solution for almost any project or repair, Gorilla Glue is 100% waterproof, weatherproof, you-name-it-proof. It's safe for indoor and outdoor use and strong enough to stand up to intense heat or cold. Sand it, paint it, stain it. Simply stated, it’s the Toughest Glue on Planet Earth.






Each of the 9" Microfoil Star balloons needed to be inflated and heat sealed. If heat-sealing is something that you are not too confident doing, check out my blog:

Heat Sealing Qualatex Microfoil Balloons and turn those 'little balloons' into BIG profit earners!



This is another job that can be done well in advance, and I strongly recommend that you do, as it will give you the opportunity to re-inflate any of the foils that deflate I think I had about 5, which was an easy fix. 

Assembling the 95 centrepieces took approximately 24 hours in total, which I did over several days and stored ready to deliver on the morning of the event. 
For each centrepiece I secured 5 different coloured stars to a Lomey pedestal. I then "wrapped" the pedestal with a 350Q to cover the wires and hide all the mechanics. At the base, I added two clusters of balloons, the Purple Violet inflated to 4.5" and the Caribbean Blue to 3.5". I also added two 4" Magenta Microfoil Stars. At the top of the pedestal, I added a "split-duplet," using two 5" Caribbean Blue balloons. Once we arrived at the venue, we positioned each centrepiece and arranged the stars to make a starburst effect. Each centrepiece looked slightly different.

With preparation and assembly time, I calculated that each centrepiece took approximately 25 minutes each to make; Not quick and simple, but very rewarding, especially when the client tells you that they are absolutely perfect!

I was extremely happy with the outcome of this job. It taught me a number of things. Spending time with a customer to find the perfect solution is paramount to success and a happy customer. And that good preparation is key when making so many centrepieces!




Happy Ballooning!


Sue
www.suebowler.com

































SaveSaveSaveSave

Wednesday, July 13, 2016

Getting Your Head Around Balloon Formulas - How Many Balloons Does it Take to Fill a Room?

When I left school I thought my days of trying to understand mathematical formulas were well and truly over... how wrong I was!

Balloon Filled Room 

Recently, I was asked to quote a price for a balloon-filled room. Many years ago I would have tried to guess, but as we all know that can be very costly in many ways. So where do you start?  Before anything else you will need some information from the client:
  • Room Length - 6.3m
  • Room Width - 3.82m
  • Room Height, or how high the balloons need to go to if they do not want the whole room completely filled - 1.5m
  • What size of balloons would they like to be used? - 16"
My client had seen a high-profile event on the Internet, where a room had been filled with 16" white balloons, and that was exactly what she wanted me to recreate. 

So basically we need to work out the Volume of a Rectangle - 


length x height x width

Because we use the measurement of inches when we work with balloons, it is easier for me to change the room dimensions into feet and inches first.



6.3m = 20.66ft
3.82m = 12.53ft
1.5m = 4.92ft


To calculate the total volume of space that I would need to fill in cubic feet, multiply the dimensions as shown below.

20.66 x 12.53 x 4.92  = 1,273 cubic feet.

The client requested 16" balloons but agreed that it would be better if we only inflated the 16" balloons to 14" to make them more durable.  So, all my calculations need to be for a balloon inflated to 14".

The next step is to work out the radius of the balloon using the Volume of a Sphere 4/3π𝒓3   equation. 
This formula is used for figuring how much space an inflated balloon occupies, or how much gas it takes to fill a balloon to a round shape.


4 ÷ 3 x 3.14 x 7 x 7 x 7 = 1,436 cubic inches per 16" balloon inflated to 14"

12" x 12" x 12" = 1,728 cubic inches per cubic foot

1,436 ÷ 1,728 = 0.83 cubic feet per balloon

Our result shows us that each 14" balloon  occupies a minimum of .83 cubic feet

The balloons will not pack perfectly together. The balloons might take up as much space as an equivalent cubic shape if there is no packing at all.

14 x 14 x 14 = 2,744

2,744 ÷ 1,728 = 1.58 cubic feet per balloon

Our results show us that each 14" balloon occupies a maximum of 1.58 cubic feet.

1273 ÷ .83 = 1,532 maximum number of balloons to completely fill the room.
1273 ÷ 1.58 = 805 minimum number of balloons to completely fill the room.


Therefore, I would take the mean average number of balloons and quote for the job using that figure.

1,531+ 805 ÷ 2 = 1,168 16" balloons inflated to 14"



I asked Luc Bertrand, CBA, of wAw Balloons in Vichte, Belgium, if he agreed with me.


In theory the calculations are correct. If I design with round balloons and they fitted in five perfectly interlocking layers, it would result in 986 balloons being used.
However, balloons are not round, and on top of that, it is not likely that they will perfectly organise themselves in grids. We all know they have their own will. So I would go for an absolute max of three layers resulting in using more like 595 balloons.”

Luc shows us using a mathematical method to check his findings.


The space to be filled in the room is;
6.3m = 248"
3.82 = 150"
1.5m = 59"

Therefore, the volume of space in inches is 248" x 150" x 59" = 2,194,800 inches.

If the 14" balloon, when inflated, is 17" in length, the volume of a balloon as a cube is 

14" x 14" x 17" = 3,332"

The volume of the space to fill ÷ volume of the "cube" balloon.

2,194,800 ÷ 3,332 = 658 balloons

So now we need to consider the fact that balloons do not fall in a nice orderly manner,and therefore we should allow extra balloons for this. If you look at Luc's diagram below, you will see that Luc shows layers of balloons. He shows balloons standing upright and laying flat. This demonstrates how many balloons will fit into the room falling in different patterns.



Luc concludes;

“So I would go for an absolute max of four layers resulting in using more like 782 balloons, if perfectly organised.”

“If you want only one layer to fill a ceiling, this could be calculated as  square balloons. Some will stand up some will be flat. If multiple layers, use the cube method and add up to 20% to be on the safe side as the more layers the more they will organise and pack.

 658 balloons + 20% = 789

This is a very interesting result, the difference in the two suggested totals (1,168 and 789)  is quite different. This is caused by calculating the balloon size using the volume of a totally round sphere versus using the actual balloon size. 

I really like Luc's method. I think that it is logical and makes this exercise easier to understand and calculate.

Maths has never been my strong point, but I really enjoyed working on this project as I feel that I understand it much better now than I ever did before. 

Since writing this blog, I have actually filled two rooms with balloons! I was very happy that on both occasions using the math formula above worked perfectly!

This is a panoramic photo of the one of the rooms that I filled. The floor cover
reached a height of about 1.5 m plus we filled the ceiling with 16" helium filled balloons!


Happy Ballooning!

Sue
























Tuesday, July 5, 2016

David Mahoney shows us how to create fabulous decor using the Balloon Overlay technique.

Balloon overlay is a technique that I have seen used by a number of different balloon artists over the years to create amazing logos and two-dimensional balloon sculptures. The techniques used vary slightly, but the end result is pretty much the same.




David Mahoney of Balloons Everyday in Carrolton, TX, U.S.A, is a great friend of the Very Best Balloon Blog. Once again, he kindly shares his knowledge and passion and shows us how to make these wonderful overlays in a few simple steps.

Overlays are a great way to create a custom design, especially if a customer does not have the budget for a three-dimensional balloon sculpture. David has mastered the technique and  acquired many happy customers in the process.

Materials

Most of the supplies needed for balloon overlays are available in hardware stores. Foam core or foam board can be found at art supply stores, craft stores, or sign shops. Overhead projectors and transparency film can be purchased at office supply stores or try searching online. Some audio visual stores may also have projectors for purchase or to rent.



1. Find the image you need to create your shape. Copy or print the image onto transparency film.
















2. Use an overhead projector to project the image onto your foam core or foam board. 












Trace the outlines with a marker. You'll be tracing two elements separately on different pieces of foam core: the "backing board"
that  the balloons will be added to, and the "detail pieces" that will add depth and detail to the sculpture.








3. Use an X-acto blade or hobby knife to cut out all the foam core pieces.














4. Spray paint the front side of the foam core to match the colour of the balloons that you will be adding.










5. Determine balloon size by finding the largest and smallest width in the design and decide on a size that will fit nicely in both areas. Typically on small designs, the balloons are 3-4". On larger designs, balloons are usually 6-8" in size. Inflate your balloons and tie each one individually, keeping the necks as long as possible.


6. Poke holes so that you can add your balloons to the backing board. To do this, you will need two awls and a foam Duplet template (as shown) that matches the size of your inflated balloons. Position the template on the edge of the backing board and poke the awl through both sides. Remove the first awl and rotate the template over to the other side of the second awl. Poke a third hole. 
An awl is a long, pointed spike.  A Bradawl is a tool for making holes in wood.

7.  Repeat Step 6 until you have poked enough holes evenly throughout the whole backing board.







8. Poke the necks of the inflated balloons through the holes in the backing board, using a small wooden dowel to push them through.







9. On the back side, stretch the necks of the adjacent balloons to tie them into pairs.







10. Once the backing board is covered, add the detail pieces. To do this, tape an uninflated 260Q onto the back of the detail pieces, then use an awl to poke additional holes into the backing board to slide the 260Qs through. Tie the 260Q ends on the back side.


11. Glue 1 x 2" wood strips to the back of the backing board to support and secure Electrical Metal Tubing (EMT) and EMT straps. THEN PLACE the tubing into base plates. 

Balloon Overlay Benefits
  • High impact
  • Ideal for corporate clients and private parties
  • Simple to construct; no difficult techniques or framing required
  • Budget-friendly option for customers who want a custom sculpture
  • Easy to add details on the front to create any image, sign, logo, or character

Here are some more of David's wonderful overlay designs.







Download this great PDF and keep it safe for future reference.


I think that this is a great technique and one that could be used for many different design ideas. Thank you once again, David, for sharing your skills and knowledge with the balloon industry! 

Happy Ballooning!

Sue
www.suebowler.com